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However, the mentality that the label is all greed and evil and all the money that they get stays with them is wrong. Especially when there are other paths available to us (other than stealing). We are the fools if we keep supplying them with that expectation. Labels like everyother business exists to make profit. I made more and the person who bought it paid less. To do what? Put a couple of ads in the paper and wear a suit for a couple of weekends? The real estate people (and there were many I tried) all said their fee (set) would be $13,500. There is a choice for the artist.īusiness is business. These days there are a wealth of good independent labels (Shock MGM etc) who give GOOD deals. Now, I'm not saying that it's right for labels to charge so much, but then whose choice is it to go with them in the first place. Ultimately, no matter what your arguement - it is plain wrong to steal.
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Artists should supply a couple of songs which the public could download for free. I reckon would should go back to those days. They were just a sampler to sell the album. What I suggest is: in the old days singles were free.
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(Also with radio and TV at least I get an APRA cheque). There might be a few (for I am one of those) but I'm sure it will be a minority. I'd like to see some figures about how many people download a song then go out and buy the CD. However, this is an idealistic view to cover up copying. There is the argument that having more people listen to the music via kazaa etc.) will lead to an increase in sales. Why should I bother if people are simply going to rip it off. Maybe your operating system once.Įven though concept like napster and limewire are started with the best of intensions - it doesn't take long for greed and laziness in users to abuse it.Īs a person who creates music and has it sold through traditional means (CD store) I do have concerns about people stealing my material.
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I think it is inherently buried deep within the understanding of PC users that you never pay for content. The online world has had plenty of time and chances to prove that they are trustworth and time and time again (I speak mainly of PC users here) rip off software/movies/audio. I agree that DRM is potentially bad, if it gets out of hand. But there are lots of issues wound up into that sentence. Loose DRM is not an "honest comprimise" at all, the only honesty will be seen once the media cartels are dismatled and whatever replaces them are forced to sell us the products that we the people want.
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A quick look at the Apple Developers page for QuickTime, will provide any user the ideas and sample code for using the QuickTime APIs to dump, collect, and convert data.Ģ) DRM is bad no matter what. It should also be mentioned that memory dump process has been in use in the Mac community already, where tools to work with the QuickTime API to play iTunes Music Store purchase files, and autoconvert them to MP3 without burning a CD is in use.Ĭan something really be considered a hack, if the company gives you the means to create it.
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Also needed to be added to the time process is, well theres not to much to do with the unencrypted AAC file, except then convert it to MP3 so that you could share it, or use it with portable players other than the iPod. Unfortunately, the entire process is almost four times longer than just using iTunes to burn the file to CD, then ripping it back as an MP3 file, or any other format you desire. What all this effort gets you is a file that is close to an exact unecrypted copy of the AAC file.
Then you have to go back and add all the proper music headers so that the file is actually usable (the file is useless in its dumped state). Not only do you have to have an account and legal access to the music file, you have to start playing the music file so that QuickTime will begin the decryption process, and then the file gets dumped as a raw AAC file to disk. Ironically though the benefits of it really aren't that great, at least at this stage. It doesn't really crack Apple's DRM as opposed to attempts to get around it. Which means that you have to have legal access to the music (an authorized account on an authorized machine) to even use the code. Ironically, despite all the headlines indicating that iTunes DRM was hacked, the truth is, as the Jon posts on his website, the application or rather the code, ONLY dumps the file from memory to hard drive.
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